Photo/Jonathan Slaff I'm not surprised that a play inspired by Stephen King is a little goofy and B-movie-like, but I do wish that Caroline V. McGraw hadn't gotten distracted by the superfluous and spangled Elvis motif, and that she spent more time focusing on her strong central character, Farrah; then perhaps director Jerry Ruiz wouldn't end up trying to maintain a creepy atmosphere all on his lonesome.
[Reviewed for
Time Out New York]
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