Beautiful is one of those shows I meant to see when it first opened, and then right before Tony time, and then right after Tony time, and...

Is all really fair in love and war? Not according to the thriller-comedy-love-story-political-commentary  Asymmetric , written by the wonder...

The 1950s and early 1960s masqueraded as an innocent time in the United States, and nowhere was the masquerade more vivid than on televi...

As Carol Oja points out in her new, excellent book Bernstein Meets Broadway: Collaborative Art in a Time of War , the 1944 musical On th...

Lost Lake is a brief, largely unsatisfying two-hander that only catches fire in its final moments. As the title suggests, both Hogan (John ...

photo: Joan Marcus Unique questions arise when presenting differently-bodied characters in theatrical productions. Should one be painsta...