The Invitation is so well-cooked that the roars of laughter threaten to drown out the subtler points Brian Parks is making with his hyperac...

Photo/Carel DiGrappa King of Shadows leaves us grasping at thin air when, after a promising opening, Roberto Aguirre-Sacasa starts to lose ...

Michael Weller knows that war can't be understood from afar, but he doesn't even try: he just distills a secondhand vision into come...

I saw Rattlestick's production of Craig Wright's new one-act Lady last night and have three questions. 1) Is Paul Sparks the most e...

Photo/Ryan Jensen This crude, shallowly imagined, frantically leaping, childishly portrayed new play of Edith Freni's is, without a doub...

photo: Monique Carboni More narrated Afro-beat concert than traditional musical, this celebration of Nigerian musical genius and political a...