Photo/Aaron Epstein
Despite Lee Blessing's heavy-handed metaphors and Peter Flynn's too-literal direction, what ultimately matters is not the room, but what's inside it: on that account, Angela Christian and Michael Laurence acquit themselves nicely as a husband and wife separated by a terrorist's political demands. If only their emotional journey weren't constantly interrupted by the bland and all-too-familiar use of an ice-cold government agent, Ellen van Oss (Adinah Alexander), and a manipulative reporter, Walker Harris (Patrick Boll), not to mention the slide-show accompanied political lecture.
Two Rooms was revived for its relevancy (it's otherwise a rather lifeless play): in that case, the audience needs to be trusted a little bit more.
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