Photo/Carrie Leonard Like a cross between
Weekend at Bernie's and
Rosencrantz and Guildenstern Are Dead, Stolen Chair Ensemble's latest production is a slapstick think-piece, set in the vaudeville tradition. Some of the bits may come across a bit cold, but the ensemble's creativity and heart are alive and kicking. According to the playwright Kiran Rikhye, it's "the best and only live dead theatre that twelve to eighteen dollars can buy," which is true, especially when she's on--as with delightfully upbeat songs like "He Was Dead" and a corpse's performance of
Romeo and Juliet. And when her meditations threaten to get weighted down by the convention, director Jon Stancato is there to save the day.
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