Photo/Nitin Vadukul Given how easily Andrew Dawson's
Space Panorama conjures up the famous 1969 moon landing, using nothing other than his dexterous fingers and a flat black table, I can at last understand why some people still insist that the whole thing was a hoax. Then again, while Dawson's pulling off a sort of theatrical prestidigitation--epic mime, if you will--his act is no simple trick. Instead, it's a sublime ode to human accomplishment, aided by Gavin Robertson's jovially recorded narration and Shostakovich's Tenth Symphony. It puts the "special" in "special effect"; no matter how much money James Cameron throws at a project, it will never be as genuine. That's because Dawson's
Space Panorama forces the audience to be just as imaginative as he is.
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