While it seems that a good half the theater-going public in and around New York City hotly disagrees with me, I'm squarely in the camp ...

The Father, Florian Zeller's very good play (in very good translation by Christopher Hampton) is worth seeing both for the tricks it p...

It may be redundant at this point, but I want to echo my colleagues and reiterate that it's really just gob-smacking to be able to live ...

About halfway through Lazarus , the self-important mess that is currently a hot ticket at New York Theatre Workshop, the dude next to me sta...