"What, another   musical based on a late 20th-century movie?" you may ask. Well, yeah. But here's the thing: it's really g...

Is it ungrateful of me to wish that Sharr White's play,  The True,  presented by The New Group, had more to offer? Perhaps. After all, t...

What if the most heroic thing any of us can do is simply to survive? [spoilers, arguably, but this is not a plot-driven show] In Good fo...

For all its highbrow associations, there's a hell of a lot of lowbrow to opera, what with all the really dumb cases of mistaken identity...

From public/political discussions and debates, you might think that sexual boundaries between adults and minors--and sexuality itself--are c...

Steven (Matt McGrath) and Stephen (Malcolm Gets) have been together 16 years. They have an amazing relationship and a fabulous son named Zac...

I find it hard to believe that Philip Ridley's Mercury Fur  -- written in 2005, but just now receiving its New York premiere, under the ...

I don't believe that every white person in the United States is a racist at heart , waiting only for the right provocation to reveal his...

The central question of Joel Drake Johnson's Rasheeda Speaking , currently in previews at the Signature Center, in a production by The N...

photo: Monique Carboni   I wasn't around forty-three years ago, when David Rabe's Sticks and Bones premiered at Joseph Papp...