Washing Machine is a spin cycle of sorrow, going from the curious beginnings to the tragic, asphyxiating finale. This aesthetic foray into minimalism allows actress Dana Berger to maximize her connections with the various characters she plays, and with the audience itself. Writer Jason Stuart and director Michael Chamberlin don't presume to know what led to the drowning of a five-year-old girl in a washing machine, so they focus instead on the emotional reverberations of this single ripple in the pool of life. The pivots from character to character are harsh, but their stories are soft (not wrinkle free). Doing the laundry is a perfunctory task; seeing Washing Machine is more like watching perfection.