Elisa Abatsis's Daguerreotypes stretches a metaphor about the halation of this ancient photographic technique into a play about transitory relationships and the need to let go of the past.
Instead, it ends up frozen in time: the bookending scenes between Gemma (Storm Garner) and her beloved art teacher, Norman (Doug Rossi), were taken without the flash on, and the lack of chemistry (or even reason for those scenes) muddies the rest of the picture. The play suffers from a lack of circumstances: Cece (Jessica Morris), pregnant with a brain-dead baby, is unable to explain why she's come to a studio that specializes in peaceful photographs of dead babies and Henry (Alfred Gingold), who runs the studio, isn't able to express his passion for this sort of photography or for the love of his life, the country gal Darcy (Lynn Spencer). Consequently, the drama often seems slower than the lengthy (but musical) scene changes. Chase (Jared Morgenstern) is the one character she nails, an angsty employee of Henry's: of all the characters, he speaks without thinking--and that leaves him free to simply be.