Photo/Carel DiGrappaKing of Shadows leaves us grasping at thin air when, after a promising opening, Roberto Aguirre-Sacasa starts to lose himself in an overcooked and fantastical plot. The play has some fine moments (particularly from Sarah Lords, who plays an unhappy teen) all the way through, but by keeping the evil offstage, his magical realism lacks any bite. Despite the aesthetic direction being nailed by Connie Grappo, this particular story seems better suited for the world of comic books, where such presentational and sharply polished dialogue and narrative asides wouldn't seem so out of place beside all those colorful panels.
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