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Wednesday, November 18, 2009

THIS


Photo: Joan Marcus

The story skeleton is pretty standard: four friends in their late 30s, three straight and one gay, deal with major life events, catalyzed by infidelity and an exotic new acquaintance. The glory is in the details. Jane's (Julianne Nicholson) husband died a year ago, leaving her with a school-age daughter. Her friend Marrell (Eisa Davis), a brand-new mom herself, has in mind to break Jane out of her widowy slump by introducing her to handsome Jean-Pierre (Louis Cancelmi), a French "Doctor Without Borders." Meanwhile Marrell's marriage to Tom (Darren Pettie), already troubled, has grown shakier and sexless with the arrival of their new baby. After a party in which a parlor game goes hilariously, frightfully wrong, Tom reveals longstanding feelings for Jane in a brilliantly composed and delivered speech. The "real" game is afoot. Despite its broad canvas and huge set, Melissa James Gibson's new play is full of small telling moments: the lonely rattling sound emanating from a wooden bowl cum baptismal font after Marrell learns she's been cheated on; Tom placing their baby monitor on Marrell's piano and returning grimly to his cabinetmaking; Alan helping Jane on with the coat whose broken zipper she hasn't bothered to fix; Jane's sad, broken metaphor, "the wolf is never away from the door, the wolf is the door." Read the full review for more details and a discount code for tickets.

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