Enron is a tale told by intelligent people, full of sound and fury, and signifying not as much as it should. A somewhat-interesting rehash of the rise and fall of the energy company Enron, the show fails to find an unusual or particularly insightful point of view, nor does it plumb the psychology of the people involved or say anything new about their hubris. What Enron does have is shtick: colored lights, chorus numbers, flashing video, and guys with dinosaur masks. The shtick is entertaining, although it does not disguise the thinness of the play itself. The cast strives valiantly, and successfully, to put on a good show; Norbert Leo Butz is particularly good as Jeffrey Skilling. Marin Mazzie is sinfully underutilized.
Monday, April 26, 2010
Enron
Enron is a tale told by intelligent people, full of sound and fury, and signifying not as much as it should. A somewhat-interesting rehash of the rise and fall of the energy company Enron, the show fails to find an unusual or particularly insightful point of view, nor does it plumb the psychology of the people involved or say anything new about their hubris. What Enron does have is shtick: colored lights, chorus numbers, flashing video, and guys with dinosaur masks. The shtick is entertaining, although it does not disguise the thinness of the play itself. The cast strives valiantly, and successfully, to put on a good show; Norbert Leo Butz is particularly good as Jeffrey Skilling. Marin Mazzie is sinfully underutilized.
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