|Trae Harris and Emily Skeggs|
Photo: Matthew Murphy
They spend much of their time together practicing to be maids. Jamie has the knowledge, and she tutors Dee in dusting, shining silver, and even how to bend down. They test each other's ability to put up with mean bosses and ill treatment. They discuss how to deal with sexual harassment (leave, and always remember to take your bucket and brush).
Nine years later, Jamie and Dee are finally out of jail, living in a room not much different than a jail cell, and trying desperately to use their much-practiced skills to make their livings as maids. But, ultimately, they cannot take the abuse and harassment; they lose jobs, generally for trying to maintain their self-respect. There is little joy in their lives; even taking a walk is a hazard as strangers express their dislike for the women's interracial friendship by name-calling and worse. For a long time, Jamie and Dee retain their dream of marrying brothers and having a farm, but in reality they are slowly dying the death of a thousand indignities.
Jamie is played by Trae Harris at 17 and by Rachel Nicks as an adult. Dee is Emily Skeggs at 16 and Samantha Soule as an adult. All four actors give sensitive, layered, smart, outstanding performances. Under Caitlin McLeod's direction, the characterizations complement each other to the extent that the lack of physical similarity between the paired actors is not an issue; they are clearly the same people.
Naomi Wallace's writing combines the lyrical and the base in ways that don't always cohere. A little less of each might have made the play more successful as a whole. But the story is strong and the characters are full-blooded and painfully real, and, amazingly enough, parts are extremely funny. Wallace's compassion and honesty and the beauty of her writing trump the play's flaws by far.
($25 plus an insane amount in fees; second row all the way to the side)