Every now and then you see something truly unique, and Pat Kinevane's one-man show qualifies. A blend of Irish character studies and Japanese Kabuki theater, it is a superb showcase for this exceptionally warm and generous performer. The beauty of the Kabuki movements Mr. Kinevane uses to transition between scenes doesn't seem quite enough to explain their existence, but the happy temptation is to always give this work the benefit of the doubt, swept up as one is in its imaginative evocations of the lives of four aged survivors, now confined to nursing homes. More than a play, it's poetry, and an immersive experience. That's no mean trick for one performer to pull off. Read the full review.
Sunday, February 21, 2010
Forgotten
Every now and then you see something truly unique, and Pat Kinevane's one-man show qualifies. A blend of Irish character studies and Japanese Kabuki theater, it is a superb showcase for this exceptionally warm and generous performer. The beauty of the Kabuki movements Mr. Kinevane uses to transition between scenes doesn't seem quite enough to explain their existence, but the happy temptation is to always give this work the benefit of the doubt, swept up as one is in its imaginative evocations of the lives of four aged survivors, now confined to nursing homes. More than a play, it's poetry, and an immersive experience. That's no mean trick for one performer to pull off. Read the full review.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment