Monday, July 18, 2016

When Less is More: The 90-Minute Play

My latest essay is up at Art Times:
What accounts for the rise of the intermissionless 90-minute play? A prevalent theory points to the shrinking attention spans of a population inundated 24/7 with news, information, entertainment, and gossip. 

I think this theory relies on knee-jerk conventional wisdom and ignores the huge success of, oh, Hamilton, which runs 2:45; The Curious Incident of the Dog in the Night-Time, which also runs 2:45; and 2014’s Pulitzer Prize-winning drama, The Flick, which runs a quiet and plotless three hours; all three have intermissions.
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Wendy Caster

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