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Memaparkan catatan dengan label Rupert Goold. Papar semua catatan
Memaparkan catatan dengan label Rupert Goold. Papar semua catatan

Ahad, September 25, 2022

King Charles III (movie review)

My friend and I were psyched to go to the play King Charles III on Broadway in 2016. We had read the rave reviews and heard the buzz. Come intermission, we looked at each other and said, pretty much at the same time, "What's the big deal?" and "It's good, but..." When the second act ended, we looked at each other and said, pretty much at the same time, "Now I understand," and "Wow!"


I didn't rush to see the movie version, which came out in 2017, because I didn't want to mess with my memories of the play, which was so damn good. But, more recently, I decided to watch it because

(1) Enough time had passed;

(2) The screenplay is by the playwright, Mike Bartlett; the movie is directed by Rupert Goold, who also directed the play; and most of the original Broadway performers are in the movie; and

(3) For some strange reason, King Charles III has been on my mind recently.

The movie is remarkable, every bit as good as the play, so much so that I'm linking to my original review, here. I would only add that Bartlett was so insightful as to be prescient. (If you watch the movie, and you should, keep in mind that the play first appeared in 2014.) I'll be fascinated to see how much life imitates art going forward.

Wendy Caster

Khamis, Januari 21, 2016

King Charles III

A short time into the future, Queen Elizabeth has died, and Charles is king. Lacking his mother's presence, popularity, and willingness to play the game, he initiates a national crisis by refusing to sign a law limiting freedom of the press. His stance is surprising--after all, his life has been severely affected by the depredations of Britain's rabid tabloid press. But Charles believes in freedom.

Playwright Mike Bartlett is smart to choose this particular law. How admirable that Charles chooses principle over his own comfort and the comfort of his loved ones! Bartlett also wisely shows us that Charles genuinely loves his family and does the best he can for them.

These positive feelings toward Charles are important as his behavior becomes more and more extreme, and his worthiness as a person and a king gets called into question.