Thursday, April 17, 2008

Fire Island

Photo/Diego Bresani

At heart, Fire Island is a love story, but the scenes keep branching into what Mee labels "riffs" (which is at least an honest assessment of his collaging). Bob -- a punk-clad critic -- justifies this by saying that all Greek plays are love stories: despite the tragedy, everything always happens for love. Again, while the text may support these wild claims, the rhythm of the piece doesn't: the clown's molestations are tame, Susan has a knife that she never uses, and Catherine wins Hiroko back with nothing more than pity. What's missing is anything more than the love story -- that is, the impetus for us to continue watching. Fire Island is a place, not an excuse for piecing together rambling, unremarkable characters, and technology is a means to an end, not an end in itself. Nothing compels Fire Island to be a play rather than a novel, and placing the audience in the midst of the action only works when there is action, which Kevin Cunningham frequently keeps just out of reach, projected in three dimensions, but still remarkably flat.

[Read on] [Also reviewed by: Patrick]

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