Written (by Adam Szymkowicz) to show its star Susan Louise O'Connor to neurotic-adorable advantage (on that score, it mostly succeeds) this hour-long play is set in motion when one of Susan's friends gets the idea to pretend to produce a play in order to hold bogus auditions: how else will dating-discouraged Susan meet guys? The slight, brief comedy seems intended as a silly, goofy lark, but even a lark has to have rules and this one, by design, keeps changing them up. Once guys seated in the audience started to take the stage to audition (following one that entered from the wings) I knew that investing in Susan's dilemma was useless: the play, thick with theatre in-jokes and aggressive fourth-wall breakage, is more interested in mildly goofing on itself than in Susan's man problems. That's never more apparent than at the play's climax, when Susan - previously and self-effacingly oblivious to interest from guys right under her nose - wanders into the audience to deliver an earnest monologue promising to change her ways and her attitude. This personal growth moment is unearned and out of nowhere: we didn't see Susan do any work.
Also blogged by: [Aaron]