You Never Can Tell

Watching the delightful production of George Bernard Shaw's You Never Can Tell being presented by the Pearl Theatre Company and the Gingold Theatrical Group, I had to periodically remind myself that I was not watching a play by Oscar Wilde. Following The Importance of Being Earnest by two years, You Never Can Tell shares its cheerful skewering of societal mores, its witty dialogue, and even a character declaiming fervently, "On my honor I am in earnest." The Importance of Being Earnest is probably the better play; You Never Can Tell has occasional languors, and Shaw's laugh/minute ratio doesn't quite equal Wilde's (whose does?). On the other hand, Shaw's politics are more interesting; for example, written in 1897, You Never Can Tell both teases and respects feminism.

What's most important is that You Never Can Tell is great fun. It includes romance, a family reunion, a costume ball, dentistry, and an entirely satisfying denouement, courtesy of an attorney-ex-machina. As directed (and lightly adapted) by David Staller, it moves along at a good clip (except for those languors) and lands its laughs with joyful precision. Some parts are a little overdirected and cutesy, but it's a small fault, and Staller's use of music and dance to sail through scenery changes is charming. (The scenery itself is a fabulous example of the wonders that a smart and tasteful designer, Harry Feiner in this case, can create on a limited budget.)

A show like this relies heavily on its cast to navigate that thin line between heightened acting and overacting. Under Staller's leadership, the Pearl stalwarts and non-Pearl-ians all acquit themselves energetically, earnestly (!), and with excellent timing. Particularly impressive are Sean McNail (who is always particularly impressive), Amelia Pedlow (who brings a sincerity to her role of reluctant lover that adds poignancy to the humor), and Zachary Spicer (who is perfect in a small but pivotal role).

I've said this before, and I hope I get the opportunity to say this again: The aptly named Pearl is a shining jewel in the New York theatre scene.

(2nd row center; press ticket)