In his one-man show, All the Rage (directed by Seth Barrish), playwright-performer Martin Moran shares his intimate exploration of the sometimes-thin lines between hatred and love, victimhood and survival, and anger and compassion. Part yarn, part philosophy, and part show-and-tell, All the Rage takes us from New York to Las Vegas to South Africa and introduces us to people as varied as a somewhat wicked stepmother and an amazingly resilient victim of torture.
Moran is a charming performer and a likeable man, and he knows how to
tell a story. His style is reminiscent of Spalding Gray's in terms of
tone and the way he meanders back to where he started--except that it's
not quite the same place anymore. In contrast to Gray, however, Moran is all over the stage, dashing and jumping from here to there to show us maps, photos, and other memorabilia of his journey. It's possible he and director Barrish got a little carried away with their quest to provide the audience with visuals--the show would have been fine with a slightly less frenetic presentation. But that's a small complaint: All the Rage is smart, fascinating, funny, and frequently moving.