Cookies

Sunday, April 22, 2018

The Metromaniacs

So, I could rave about the writing (joyfully wonderful and silly rhymes by David Ives) or the acting (from a strong, talented, attractive ensemble) or the design (charming) or the direction (calibrated perfectly by Michael Kahn). But what I want to say is this: If you're looking for a thoroughly entertaining and satisfying evening in the theater, go see The Metromaniacs at the Red Bull Theater (currently housed at the Duke on 42nd St).

Amelia Pedlow, Dina Thomas
Photo: Carol Rosegg

The plot: A thinks B is C, who thinks B is X, or something. And there's a mystery poetess. And, oh, who cares? The plot is a fun-delivery system--and it delivers! Also, Ives is smart enough to provide clear road signs and recaps along the way, so we know what we need to know. The time: 18th century, with a soup├žon of meta and a smattering of zany anachronisms. The source: La Metromanie (it means "The Poetry Craze"), a French comedy by Alexis Piron. The presentation: excellent, and every performer enunciates beautifully so you can actually hear all those wonderful rhymes.

Adam Green, Dina Thomas, Adam LaFevre,
Christian Conn, Amelia Pedlow, Noah Averbach-Katz
Photo: Carol Rosegg

What else do you need to know? Nothing, really, except that The Metromaniacs is a total treat, start to finish.

(The cast comprises Noah Averbach-Katz, Christian Conn, Adam Green, Peter Kybart,  Adam LeFevre, Amelia Pedlow, and Dina Thomas. Scenic design by James Noone, costume design by Murell Horton, lighting design by Betsy Adams, music composed by  Adam Wernick, sound design by Matt Stine. Runs through May 26. For more information, click here.)

Wendy Caster
(press ticket; third row)

No comments: