Terri White does not identify a theme to her show at Feinstein's at the Regency, but it is nevertheless clear: the theme is joy. Not that White doesn't sing a sad song or two, and act them nicely. It's simply that she is bursting with happiness. After some tough times, she now has a happy marriage and a rejuvenated career (including playing Stella Deems in the upcoming Follies in Washington, D.C.) and enough energy to light up a small town or two. Utilizing her strong, attractive voice and a ton of personality, White sings exuberant versions of "Necessity" (which she sang in Finian's Rainbow on Broadway), "I Am Changing" (from Dreamgirls, which she briefly pouts about not being cast in), "When You're Good to Mama" (which she sang in Chicago), and the cabaret favorite "Here's to Life." Her version of "More Than You Know," sung to her wife in the front row, had both women and some audience members in tears. White's patter has some funny moments, and her imitation of Nell Carter singing "Mean to Me" is nothing short of hysterical. White's show could use a bit more polish, and some of her interactions with her band are a little too "in-joke-y." Her voice occasionally falls off of a note or two, and her physical mannerisms can be repetitive. Overall, however, watching her perform is a great deal of fun. White is at Feinstein's again on January 30th. (Note: I had a reviewer's comps and sat to the side.)
Tuesday, January 18, 2011
Terri White
Terri White does not identify a theme to her show at Feinstein's at the Regency, but it is nevertheless clear: the theme is joy. Not that White doesn't sing a sad song or two, and act them nicely. It's simply that she is bursting with happiness. After some tough times, she now has a happy marriage and a rejuvenated career (including playing Stella Deems in the upcoming Follies in Washington, D.C.) and enough energy to light up a small town or two. Utilizing her strong, attractive voice and a ton of personality, White sings exuberant versions of "Necessity" (which she sang in Finian's Rainbow on Broadway), "I Am Changing" (from Dreamgirls, which she briefly pouts about not being cast in), "When You're Good to Mama" (which she sang in Chicago), and the cabaret favorite "Here's to Life." Her version of "More Than You Know," sung to her wife in the front row, had both women and some audience members in tears. White's patter has some funny moments, and her imitation of Nell Carter singing "Mean to Me" is nothing short of hysterical. White's show could use a bit more polish, and some of her interactions with her band are a little too "in-joke-y." Her voice occasionally falls off of a note or two, and her physical mannerisms can be repetitive. Overall, however, watching her perform is a great deal of fun. White is at Feinstein's again on January 30th. (Note: I had a reviewer's comps and sat to the side.)
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