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Showing posts with label cabaret. Show all posts
Showing posts with label cabaret. Show all posts

Tuesday, July 29, 2014

Fosse (book review)

Bob Fosse was talented, driven, kind, nasty, dedicated, unfaithful, brilliant, limited, addicted, and unhappy. By all accounts, he was also charismatic, seductive, and a great lay. Since the reader doesn't get to sleep with him, he is a largely unpleasant companion for the 590 pages of Sam Wasson's exhaustive, repetitive, and annoying biography, Fosse. However, if you keep your bullshit detector turned to "high"--Wasson is fond of recreating conversations as though he was there; he thinks he knows what Fosse was thinking at any given moment; his interpretations of events are unconvincing--Fosse is worth reading. As for Fosse the man: hey, Gwen Verdon and Ann Reinking worshipped him, so who am I to judge?

Tuesday, January 12, 2010

The Truth About Love...and the Usual Lies

Soprano Jessica Medoff, the fabulous Sorceress in Purcell's opera Dido and Aeneas a year ago, showcased another side of her ability, weaving art songs and show tunes together, as she and her husband, the very talented pianist Michael Bunchman, presented a song cycle of their own on the inexhaustible subject of love. A highlight for me was Kurt Weill's "Surabaya Johnny," a hyper-passionate wail that can really take the measure of a singer; Ms. Medoff was all over that thing like a hungry lioness. "I Don't Care Much" from Cabaret was equally intense in a quieter way. To lighten the mood we had the very funny "Taylor the Latte Boy" together with its answer, "Taylor's Response" (sung artfully by Mr. Bunchman from the piano); the plaintively sweet "There's a Fine, Fine Line" from Avenue Q came across with understated sensitivity. The show also introduced audiences (at least semi-ignorant ones like me) to art songs by the likes of Aaron Copland and William Bolcom. One remarkable thing was the two performers' seamless connection; it's as if they can read each others' minds, piano and voice flowing together in perfect sympathy, and Ms. Medoff has a finely calibrated control, equally steady from pianissimo to fortissimo. The edifying and enjoyable program showed off her range without going overboard.