It's that time of the year again. I've limited myself to 10 best shows, since that's the number everyone likes, and I've included "honorable mentions" as well. Shows that I reviewed are linked to the reviews. (Note that some of the links are blue and some aren't. I have no idea why.)
- A Doll's House, Part 2--a lovely surprise, fascinating as a comment on the original and compelling in its own right.
- Arcadia--I've always enjoyed PTP/NYC, but they really won me over with their excellent production of Arcadia, a show I would gladly see once a year for the rest of my life.
PTP/NYC's Arcadia
Photo: Stan Barouh
- Cost of Living--a solid show made even better by wonderful acting.
- Dear World--The show was good and Tyne Daly was magical.
- Escaped Alone--Caryl Churchill at her best: compelling, puzzling, subtle, political, funny, surreal yet realer than real.
Escaped Alone
Photo: Richard Termine - If I Forget--wonderful proof that really good writers can take the familiar--family squabbles, political differences--and make it new, engaging, and funny.
- Jitney--an almost perfect production of a superb play.
- Mary Jane--another case where excellent writing rises above the familiar--in this case, taking care of a family member with serious health problems. And that cast!
Mary Jane - Nellie McKay: The Big Molinsky--Considering Joan Rivers--sui generis.
- The Tempest--this all-female production, ostensibly performed in a women's prison, was amazing. Harriet Walter presided brilliantly over both the prison block and the magical island.
Harriet Walter in The Tempest
Photo: Helen Maybanks
Honorable Mention: Marian, or The True Tale
of Robin Hood (Flux), As You Like It (CSC), All the Fine Boys (New Group), Everybody (Signature), Hello Dolly (Broadway), Pacific Overtures (CSC), The Suitcase Under the
Bed (The Mint), The Winter's Tale
(Public Mobile Unit), The Show-Off (The Mint), Yours Unfaithfully (The Mint), After the Blast (Clare Tows), How to
Transcend a Happy Marriage (LCT).
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