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Showing posts with label best plays. Show all posts
Showing posts with label best plays. Show all posts

Monday, December 18, 2017

Wendy Caster's Best of 2017

It's that time of the year again. I've limited myself to 10 best shows, since that's the number everyone likes, and I've included "honorable mentions" as well. Shows that I reviewed are linked to the reviews. (Note that some of the links are blue and some aren't. I have no idea why.)
  • A Doll's House, Part 2--a lovely surprise, fascinating as a comment on the original and compelling in its own right.
  • Arcadia--I've always enjoyed PTP/NYC, but they really won me over with their excellent production of Arcadia, a show I would gladly see once a year for the rest of my life.
    PTP/NYC's Arcadia
    Photo: Stan Barouh
  • Cost of Living--a solid show made even better by wonderful acting.
  • Dear World--The show was good and Tyne Daly was magical.
  • Escaped Alone--Caryl Churchill at her best: compelling, puzzling, subtle, political, funny, surreal yet realer than real.
    Escaped Alone
    Photo: Richard Termine
  • If I Forget--wonderful proof that really good writers can take the familiar--family squabbles, political differences--and make it new, engaging, and funny.
  • Jitney--an almost perfect production of a superb play.
  • Mary Jane--another case where excellent writing rises above the familiar--in this case, taking care of a family member with serious health problems. And that cast!
    Mary Jane

  • Nellie McKay: The Big Molinsky--Considering Joan Rivers--sui generis.
  • The Tempest--this all-female production, ostensibly performed in a women's prison, was amazing. Harriet Walter presided brilliantly over both the prison block and the magical island.

    Image result for harriet walter the tempest
    Harriet Walter in The Tempest
    Photo: Helen Maybanks

Honorable Mention: Marian, or The True Tale of Robin Hood (Flux), As You Like It (CSC), All the Fine Boys (New Group), Everybody (Signature), Hello Dolly (Broadway), Pacific Overtures (CSC), The Suitcase Under the Bed (The Mint), The Winter's Tale (Public Mobile Unit), The Show-Off (The Mint), Yours Unfaithfully (The Mint), After the Blast (Clare Tows), How to Transcend a Happy Marriage (LCT).

Sunday, December 20, 2015

Fifteen for '15

It's humbling, really, just how much theater happens in this town--and just how much talent there is making it. Because I've been on sabbatical this year, I've seen many, many more shows than I typically do over the course of a year. Even so, it's a little overwhelming to think of the fact that I haven't even scratched the surface of what's out there--and that for all I've seen, I've still missed plenty of must-see shows that were gone before I could find time to get to them. How do the critics do it?

Even though I'm not a critic, it's fun to play one at this time of year. So here's my top 15 list for 2015. The shows are in rough chronological order. Links to the original posts I wrote about them, if I wrote about them, are embedded in the titles. I've embedded links to preview clips, interviews and the odd critics' review in the body of the text in case you prefer to skip my yammering and go right to the visuals. 

Happy new year, all. Here's to the theater--and to a happy, peaceful 2016!