Photo: John Alexander
The Management has become known as an edgy downtown group with notable depth. Their new production explores being gay in America, but specifically Middle America, and more precisely a chicken farm not far from the implied national nightmare succinctly summed up in the name "Mall Town, USA." Joshua Conkel's script feelingly and very humorously explores the relationship between two schoolboys, one effeminate and (mostly) liking himself that way, the other so desperately fighting his homosexual urges that he lashes out in a number of ways: "setting stuff on fire," getting into fights at home and at school, and punching and kicking the air like Cuchulain battling the waves. There's a talking chicken and a seething spider and – oh, it's all just too, too much. How it all ends isn't terribly important; getting there is where the fun is, and there's an awful lot of it – a number of moments had the audience in such stitches the cast had to wait patiently for the laughter to fade. Meredith Steinberg's energetic and funny choreography deserves mention, and the choices of music are spot-on – how can you not love a show that features "I've Never Been to Me"? Read the full review.